8/25/2023 0 Comments Point blank performance![]() The photos were made with the participation of Bernice Aalders, Laura Barnett, Olivier Beghin, Shannon Bool, Régine Boussuge, Thierry Cadeddu, Carola and children, Thomas De Chambourg, Muriel Chauvet, Brian Cheng, Ross Crain, Nathalie Dao, Christine Debreyne, Sylvie Decroix, Heide Deigert, Katrin Dod, Tim Drucker, Cora Fisher, Esra J. Made in collaboration with Nada Gambier, Frank Theys, Nicola Unger, Io Tillett Wright, Monika Rinck and Ugo Dehaes A simple, understated, yet highly charged theatrical presentation.” (New York Press, U.S.) “Point Blank is an investigation into serendipity and wanting to control one’s potential. Gambier self-effacingly and entirely wrecks one’s head. “On a nearly blank stage, in the semi-dark, and in the least confrontational way possible, Nada And he is contemplating the question: Indeed, how should one live? Is it good the way it is?” (Revizor, Hungary) We watch the pictures, we listen to Nada’s comments, and in the meanwhile, inside each spectator’s head his own film is playing, the images of his own life are being projected. The performance deals with issues like time, humanness, and reality. But in thought and philosophy it is a very rich evening, as well as in terms of the theatre-aesthetical questions that are addressed here. “What happens on stage is seemingly simple: someone projects images from a laptop, Nada, the young girl talks, we watch photographs. One hell of a performance!” (Le Soir, Belgium) A quest that interrogates our contemporary life: solitude, living together, trust in the other. “The purpose of life explored through the lens of a camera. It is available in both English and French-language versions. Point Blank premiered in 2007 at the Kunstenfestivaldesarts in Brussels, and has since been performed at various theatres and festivals in Belgium, the Netherlands, Italy, Germany, France, Hungary, Norway, Portugal, Belgium, Serbia, the United States, Ireland, Poland and China. She aims to get a comprehensive overview and to reach a conclusion: the vision of a life worth pursuing. Together with the audience she contemplates the images, and looks for the implications and patterns that emerge. The performance is an occasion for Nada to structure her ‘archive of possibilities’. Driven by this curiosity, she becomes witness to a wide range of – at times extreme - human behaviour. She wants to map out the options for herself. The core of her interest is to trace the various life-strategies that people follow. The 19-year-old Nada has been secretly observing people for years, taking ‘spy-photos’ of them, capturing their private moments. Point Blank is a visual theatre performance in which the narrative is constructed by using paparazzi-style photographs of everyday situations.
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